Throw away the rulebook and join three multi-genre authors, Miranda Darling, Andrew Sutherland, and Shokoofeh Azar, as they come together to discuss their work and writing process, offering valuable insight and fresh perspectives for those who want to try their hand at writing across genres.
Buy an individual session ticket here. Or grab a full Weekend Pass for all National Writers’ Conference events here.
SHORTLISTED FOR THE 2026 STELLA PRIZE
It all began when they started running away …
Life for Winona Dalloway is not as it should be. Her husband is no longer her husband, her children are not at home with her, and the city in which she lives is besieged by fires. Black ash falls like snow, songbirds screech like dinosaurs, and the doctors are calling her mad …
In this looking-glass world, Winona is forced to prove she is a sane, rational human being. As the pronouncements of the professionals grow more insistent, so too do the voices crowding inside Winona’s head. She seeks solace in the company of plants and animals, and begins to imagine an entirely other way of being — one that might make whole her broken heart.
A black comedy, set in suburbia, about one woman’s struggle to be free.
When Winona Dalloway begins her day — in the peaceful early hours before her children, that ‘tiny tornado of little hands and feet’, wake up — she doesn’t know that by the end of it, everything in her world will have changed.
On the outside, Winona is a seemingly unremarkable young mother: unobtrusive, quietly going about her tasks. But within is a vivid, chaotic self, teeming with voices — a mind both wild and precise.
And meanwhile, a storm is brewing …
Miranda Darling is a writer, poet, and co-founder of Vanishing Pictures. She read English and Modern Languages at Oxford then took a Masters in Strategic Studies and Defence from the ANU (GSSD). She became an adjunct scholar at a public policy think tank, specialising in non-traditional security threats. She has published both fiction and nonfiction.
