Bora Chung and Deepa Bhasthi will be speaking at various events at the 2026 Auckland Writers Festival.
Check out the full program, and book your tickets HERE
WINNER OF THE 2025 INTERNATIONAL BOOKER PRIZE
In the twelve stories of Heart Lamp, Banu Mushtaq exquisitely captures the everyday lives of women and girls in Muslim communities in southern India. Published originally in the Kannada language between 1990 and 2023, praised for their dry and gentle humour, these portraits of family and community tensions testify to Mushtaq’s years as a journalist and lawyer, in which she tirelessly championed women’s rights and protested all forms of caste and religious oppression.
Written in a style at once witty, vivid, colloquial, moving and excoriating, it’s in her characters — the sparky children, the audacious grandmothers, the buffoonish maulvis and thug brothers, the oft-hapless husbands, and the mothers above all, surviving their feelings at great cost — that Mushtaq emerges as an astonishing writer and observer of human nature, building disconcerting emotional heights out of a rich spoken style. Her opus has garnered both censure from conservative quarters as well as India’s most prestigious literary awards; this is a collection sure to be read for years to come.
SHORTLISTED FOR THE 2022 INTERNATIONAL BOOKER PRIZE AND WINNER OF A PEN/HEIM TRANSLATION GRANT.
A woman is haunted by her own bodily waste. A pregnant woman is told she must find a father for her unborn baby or face horrific consequences. A young monster, forced to fight, discovers the extent of his power.
This genre-defying collection of short stories blurs the lines between magical realism, horror, and science fiction. Using elements of the fantastic and surreal, Chung exposes the very real horrors and cruelties of patriarchy and capitalism in modern society, gliding effortlessly from terrifying to wryly humorous in a skilful translation by the acclaimed Anton Hur.
Test for no-sync function.
By the internationally acclaimed author of Cursed Bunny, in another thrilling translation from the Korean by Anton Hur, Your Utopia is full of tales of loss and discovery, idealism and dystopia, death and immortality. “Nothing concentrates the mind like Chung’s terrors, which will shrivel you to a bouillon cube of your most primal instincts” (Vulture), yet these stories are suffused with Chung's inimitable wry humour and surprisingly tender moments, too — often between unexpected subjects.
In ‘The Center for Immortality Research’, a low-level employee runs herself ragged planning a fancy gala for donors, only to be blamed for a crime she witnessed during the event, under the noses of the mysterious celebrity benefactors hoping to live forever. But she can’t be fired — no one can. In ‘A Song for Sleep’, a tender, one-sided love blooms in the AI-elevator of an apartment complex; as in, the elevator develops a profound affection for one of the residents. In ‘Seeds’, we see the final frontier of capitalism’s destruction of the planet and the GMO companies who rule the agricultural industry in this bleak future, but nature has ways of creeping back to life.
Chung’s writing is “haunting, funny, gross, terrifying — and yet when we reach the end, we just want more” (Alexander Chee). If you haven’t yet experienced the fruits of this singular imagination, Your Utopia is waiting.
SHORTLISTED FOR THE 2026 URSULA K. LE GUIN PRIZE
A FINALIST FOR THE LOCUS AWARD FOR BEST TRANSLATED NOVEL
Equal parts bone-chilling, wryly funny, and deeply political, The Midnight Timetable is a masterful work of literary horror from one of our time’s greatest imaginations.
In a labyrinthine research facility, where those who open the wrong door might find it’s disappeared behind them or that the echoing footsteps they’re running from are their own, an unnamed protagonist begins their night shift under the watchful eye of the building’s enigmatic senior guard.
Each evening, as the fluorescent lights hum and the silence grows heavier, the guard shares another tale of cursed objects and lives unspooled by vengeance, sorrow, or revelation. But these are not mere ghost stories. They’re warnings. Lessons. Or, perhaps, confessions ...
As the nights stretch on and reality frays, our protagonist starts to suspect that the building itself is alive with malevolent intent and that the objects they guard aren’t just cursed.
They’re waiting. Watching.
Banu Mushtaq is a writer, activist, and lawyer in the state of Karnataka, southern India. Mushtaq began writing within the progressive protest literary circles in southwestern India in the 1970s and 1980s: critical of the caste and class system, the Bandaya Sahitya movement gave rise to influential Dalit and Muslim writers, of whom Mushtaq was one of the few women. She is the author of six short story collections, a novel, an essay collection and a poetry collection. She writes in Kannada and has won major awards for her literary works, including the Karnataka Sahitya Academy and the Daana Chintamani Attimabbe awards.
Deepa Bhasthi is a writer and literary translator based in Kodagu, southern India. Her columns, essays, and cultural criticism have been published in India and internationally. Her published translations from Kannada include a novel by Kota Shivarama Karanth and a collection of short stories by Kodagina Gouramma. Her translation of Banu Mushtaq’s stories was a winner of English PEN’s PEN Translates award.
Bora Chung is a writer of speculative fiction and a translator of contemporary Russian and Polish literature. She has published three full-length novels and four short story collections in Korean. As of 2025, five of her works have been translated by Anton Hur and published in English; the first, Cursed Bunny, was shortlisted for the 2022 International Booker Prize and the 2023 National Book Award for Translated Literature.
Anton Hur was born in Stockholm and currently resides in Seoul. He won a PEN Translates grant for his translation of The Underground Village by Kang Kyeong-ae and a PEN/Heim grant for Bora Chung’s Cursed Bunny, the latter of which was shortlisted for the 2022 International Booker Prize. His translation of Sang Young Park’s Love in the Big City was longlisted for the same prize in the same year. His translation of Violets was longlisted for the National Book Critics Circle Awards. His other translations include Kyung-Sook Shin’s The Court Dancer and I Went to See My Father, Djuna’s Counterweight, and Baek Sehee’s I Want to Die but I Want to Eat Tteokbokki.
