The Creativity Con:

how innovation became America’s biggest racket

$39.99 AUD

The Creativity Con:

how innovation became America’s biggest racket

Overview

From the bestselling and always-prescient author of Listen, Liberal comes a bold indictment of our chronic obsession with creativity and innovation, showing how these beloved ideas have come to dominate our political and economic conversation, all while serving to mask inequality and protect elite interests.

Innovation and creativity have been the watchwords of progress for decades, used by business thinkers, tech gurus, military strategists, educators, and urban planners to describe the virtues that set prosperous modern societies apart from all others. Countries that honour creative people are dynamic and productive, our authorities tell us, while those that don’t are condemned to mediocrity and stagnation. In his new book, Thomas Frank blasts these received ideas apart, offering a bold account of the way that creativity and innovation have been used as a kind of ideological cover for policies that reinforce our new class system.

Frank uncovers the insidious effects of centring innovation and creativity in rhetoric while, in practice, nurturing exactly the opposite. In the name of these noble goals, he shows, our leaders have reoriented our societies around white-collar knowledge work, cut taxes on the wealthy, deregulated banks, off-shored manufacturing, reoriented cities, and destroyed what is truly creative about human achievement.

Deeply original, marked by Frank’s signature brilliance and acerbic wit, The Creativity Con is a troubling X-ray of post-war business and political cultures — and a crushing indictment of the clichés that have undergirded our many failures.

Details

Format
Paperback
Size
234mm x 153mm
Extent
384 pages
ISBN
9781925713640
RRP
AUD$39.99
Pub date
5 January 2027
Rights held
UK & Commonwealth (ex. Can)
Other rights
The Spieler Agency

Praise

‘Cultural and political analyst Frank excoriates the disastrous results of the American love affair with “innovation” … A pithy and entertaining writer, Frank has a special talent for the trenchant quip … A spirited indictment of the American obsession with innovation.’

Kirkus Reviews

‘This biting analysis from bestseller and Baffler cofounder Thomas Frank exposes how America’s decades-long fixation on creativity and innovation helped construct an unequal postindustrial society … Frank’s wry critique exposes how creativity and innovation are “a marker of ghastliness,” wielded as a justification for policy that benefits only the so-called enlightened few. It’s a sharp look at how prized American values mask inequality.’

Publishers Weekly
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About the Author

Thomas Frank is the author of What’s the Matter with Kansas?; Listen, Liberal; The People, No; and other books. A former columnist for The New York Times and The Wall Street Journal, Frank is a founding editor of The Baffler, and writes regularly for Harper’s and The Guardian. He lives outside Washington, DC.

more about the author