‘The Possessions might be the most affecting, riveting novel about love and obsession I’ve read in a decade. Sara Flannery Murphy possesses the dystopian imagination of Margaret Atwood and the keen feminist incisiveness of Heidi Julavits, but the haunting, seductive prose is all her own. This is a literary ghost story for a whole new generation.’
Christopher Bollen, author of Orient
‘An enthralling meditation on grief and memory cloaked in suspenseful psychodrama, The Possessions dissolves the boundaries of past and present and artfully, heartbreakingly maps the consequences of transgressive desire. Sara Flannery Murphy has written the best kind of ghost story.’
Robin Wasserman, author of Girls on Fire
‘A literary descendant of the iconic novels Rebecca and Never Let Me Go, Sara Flannery Murphy's haunting, auspicious debut explores the enduring nature of grief and guilt and the myriad ways the uses of the body can stave off the loneliness of the soul.’
Helen Schulman, author of This Beautiful Life
‘As well as being a supernatural tale, brilliantly evoking a time not quite our own but almost, The Possessions is a meditation on love, obsession and grief. In an almost Kafka-esque world, Sara Flannery Murphy's subtle, spare and poised writing creates a gripping sense of threat that makes the book compelling reading.’
Lucy Jago, author of Montacute House
‘Sara Flannery Murphy casts a spell as devilish and dazzling as the language she uses to cast it. Once you enter the erotically charged, psychologically gripping world of her debut novel, The Possessions, there is, truly, no going back or getting out.’
Kathryn Davis, author of Duplex: A Novel
‘A beautifully rendered, haunting page-turner.’
Publishers Weekly
‘Sublime ... Immersive from page 1 ... A complex novel that is both unforgettable and impossible to put down.’
Booklist (starred review)
‘There are echoes of Vertigo and Eyes Wide Shut in this psychological slow burner about a secret organisation that channels the spirit of its clients' dead loved ones. It's strange, suspenseful, and surprisingly sexy.’
Marie Claire
‘A more-than-slightly-spooky tale of spiritualists and sexual obsession.’
The Irish Times
‘A tale about connecting with the dead that is a guaranteed page-turner.’
Elle
‘A creepy mystery about a woman who channels the spirit of the dead to allow the bereaved to reconnect with loved ones ... and is sucked deep into a spooky netherworld of obsession and desire.’
Metro
'Highly original ... [The Possessions] is like entering a mysterious other world where nothing is quite as it seems.'
New Books
‘[S]upernatural romance that thrives on imaginative world-building.‘
The Saturday Age
‘Creepy, chilling, compelling.’
Red
‘Murphy’s writing is sharp and well-crafted … The Possessions is a haunting and brilliantly written thriller which raises questions about the boundaries between grief and obsession. People who enjoy offbeat fiction with a touch of supernatural will enjoy this book.’
Rabeea Saleem, Culturefly
‘Sara Flannery Murphy unspools a creepingly clever ghost story that encompasses thriller, horror and literary fiction with seductive swagger … you’re delivered into an entirely compelling world with all the intoxicating imagination and white-knuckle plotting of high-Victorian sensation fiction … The Possessions is a simmering gothic joy.’
Sarah Ditum, The Guardian
‘With a plot that races along, this is an imaginative and seductive supernatural novel that examines love, loss and terrifying obsession.’
Daily Mail
‘Themes of obsession, possession, death and spiritualism are central to the novel, and Murphy handles the ethical dilemmas skillfully, in a way that lets the reader ponder them too … Murphy offers a perceptive view of tough subjects without ever preaching. Her debut is the story of a telltale heart that keeps its secrets close.’
Sarah Gilmartin, The Irish Times
‘I absolutely LOVED The Possessions. Sara Flannery Murphy's writing is truly beautiful and her debut novel is astonishing - this is a love story, a literary thriller, a ghost story and a work of speculative fiction all at once-dazzlingly original and unforgettable.’
Helen, Waterstones