‘A stunning achievement — a monumental work of humane and painstaking observation.’Anna Funder, author of ALL THAT I AM
From Pulitzer Prize-winner Katherine Boo comes a landmark work of narrative nonfiction that tells the dramatic and sometimes heartbreaking story of families striving toward a better life in one of the world’s most lively but treacherous cities.
Annawadi is a makeshift settlement in the shadow of luxury hotels near the Mumbai airport and, as India starts to prosper, Annawadians are electric with hope. Abdul, a reflective and enterprising Muslim teenager, sees ‘a fortune beyond counting’ in the recyclable garbage that richer people throw away. Asha, a woman of formidable wit and deep scars from a childhood in rural poverty, has identified an alternate route to the middle class: political corruption. With a little luck, her sensitive, beautiful daughter — Annawadi’s ‘most-everything girl’ — will soon become its first female college graduate. And even the poorest Annawadians, like Kalu, a 15-year-old scrap-metal thief, believe themselves inching closer to the good lives and good times they call ‘the full enjoy’.
But then Abdul the garbage sorter is falsely accused in a shocking tragedy; terror and a global recession rock the city; and suppressed tensions over religion, caste, sex, power, and economic envy turn brutal. As the tenderest individual hopes intersect with the greatest global truths, the true contours of a competitive age are revealed. And so, too, are the imaginations and courage of the people of Annawadi.
With intelligence, humour, and deep insight into what connects human beings in an era of tumultuous change, Behind the Beautiful Forevers carries the reader headlong into one of the 21st century’s hidden worlds, and into the lives of people impossible to forget.
‘A Mumbai slum imagined and understood as never before in language of intense beauty.’Salman Rushdie
‘This is Boo’s first book. It proclaims an astonishing ambition and a prodigious talent to match. Backed up by meticulous reporting, she delivers a non-fiction novel that combines all the emotional power of a story well told with the added intoxication that readers know all this really happened.’Jose Borghino, The Australian
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‘A small masterpiece of documentary storytelling’Sydney Morning Herald